Dan Redfeld
Composer / Conductor / OrchestratorAward-winning composer, conductor, orchestrator, pianist and producer Dan Redfeld has had his music and arrangements performed internationally from the concert hall to the musical theatre stage to the recording studio.
Redfeld received his training at Boston’s New England Conservatory before transferring to the University of California, Los Angeles (UCLA) where he graduated with a degree in composition with an emphasis in conducting.
In June 2016, A Hopeful Place – A Song Cycle for Soprano & Chamber Orchestra, was released on Navona Records/ PARMA Recordings. With music by Redfeld and text by John Gabriel Koladziej, A Hopeful Place was written for soprano Kristi Holden (Christine – Phantom: The Vegas Spectacular & Phantom of the Opera World Tour) and premiered in Los Angeles in 2010. The recording features Holden and the Hollywood Studio Symphony under the baton of the composer.
In May 2015, Redfeld’s Arioso for Oboe, Percussion and Strings premiered with the Santa Barbara Symphony under the direction of Maestro Nir Kabaretti and oboe soloist Lara Wickes.
Recent works include January 15, 1947 – An Impromptu for Solo Harp (Third Place in the American Harp Society Los Angeles Chapter Composition Competition), Fantasy for Violin & Piano (written for Elizabeth Hedman and Robert Thies), Travels for Piano Quartet (commissioned by Central4), Dance Sketches and Vineyards for Octet.
Among Redfeld’s twenty-five film scores are the AFI-produced Clinic E and film noir Moustache, along with music for more than twenty silent classic films including new scores for the restored Mary Pickford classics, Sparrows and Dorothy Vernon of Haddon Hall.
Redfeld’s arranging and producing credits include the critically acclaimed compilations Across the Stars: The Film Music of John Williams for Solo Piano, Braveheart: The Film Music of James Horner for Solo Piano, Music from the Twilight Saga, Schindler’s List: The Film Music of John Williams, and Titanic: An Epic Musical Voyage, an album commemorating the 100th anniversary of the Titanic disaster and the rerelease of James Cameron’s Academy Award winning film.
For the stage, Mr. Redfeld orchestrated Beaches – A New Musical, the national tour of A Christmas Story (adapted from Larry Blank’s original orchestrations), two songs for the Jerry Herman Memorial (Broadway), the Broadway Medley for the Los Angeles Music Center’s 50th Anniversary Gala in 2014, various orchestrations for the Ahmanson 50th Anniversary (where he also served as associate conductor), arrangements for Center Theatre Group’s 2019 Gala (including a new orchestration of “Broadway Baby” for Lea Michele and Darren Criss) as well as live work with Shirley Jones, Patrick Cassidy, Susan Egan, Seth MacFarlane, Barrett Foa, Clint Holmes, and so on, plus shows in the West End and continental United States. Recent work includes arrangements for the Pasadena and Santa Barbara Symphonies.
As music director, conductor and pianist, Mr. Redfeld has worked on forty-plus musicals including The Secret Garden (CTG/Ahmanson), Disney’s Beauty and the Beast (with Susan Egan), The Who’s Tommy (with Alice Ripley), Chess – the London Version (with Susan Egan and Matt Morrison), My Fair Lady (with Jonathan Pryce and Laura Michelle Kelly), Disney’s The Hunchback of Notre Dame, Peter Pan (Broadway World winner, best musical direction), Addams Family, Joseph and the Amazing Technicolor Dreamcoat, Evita, Jesus Christ Superstar, Into the Woods, Sweeney Todd, Shrek!, Mamma Mia!, Miss Saigon, Triumph of Love, The Spitfire Grill, West Side Story and The Secret Garden.
In early 2018, Mr. Redfeld conducted the New West Symphony in The Music of the Night: Love Changes Everything, a celebration of the music of Rodgers & Hammerstein and Andrew Lloyd Webber featuring Susan Egan, Anthony Crivello and Kristi Holden.
Mr. Redfeld has been the conductor of Los Angeles Opera’s Secondary In-School-Opera since 2003 and made his debut with Montana Lyric Opera in 2010.